Hardcover: 368 pages
Publisher: Houghton Mifflin Harcourt; 1 edition (July 8, 2010)
Language: English
ISBN-10: 0547055277
ISBN-13: 978-0547055275
Product Dimensions: 8.7 x 6.1 x 1.1 inches
Shipping Weight: 1 pounds
Average Customer Review: 3.9 out of 5 stars See all reviews (37 customer reviews)
Best Sellers Rank: #740,231 in Books (See Top 100 in Books) #131 in Books > Engineering & Transportation > Engineering > Energy Production & Extraction > Electric #256 in Books > Engineering & Transportation > Engineering > Reference > Patents & Inventions #291 in Books > Science & Math > Physics > Optics
As the subtitle indicates, the stated goal of this book is to cover the evolution of artificial light, from the feeblest torch to modern lighting. And it more or less does so up through the kerosene lamp, although the focus is already shifting toward lighting in the US, and away from the general topic of artificial light. Once the book reaches the Edison electric bulb the story shifts to the electrification of the US. This is certainly related to the subject of artificial light, but not quite the same thing.After meandering through a chapter on rural electrification, then one on early fluorescent lighting, and then one on wartime blackouts in Britain, the book oddly shifts to the discovery of the Lascaux caves, and their paleolithic art. While I could imagine ways to tie this into the supposed story line of the book, the author really doesn't do so. I guess she found the topic interesting, and so threw in a few pages on it.She next goes on to the 1965 blackout of the east coast of the US, and then imagines the US electrical grid of the future. This leads in to newer lighting technology, and her grasp of the details seems to fade. She describes LEDs as being "composed of miniature plastic bulbs illuminated by the movement of electrons in semiconductor material." This is actually almost right: LEDs are semiconductor devices that are usually encased in plastic as a convenient package.When she gets to light pollution she goes back in time to the great California observatories. But, in referring to the Hale telescope on Palomar Mountain, she repeatedly refers to the 200 inch mirror as a "lens". This might be excusable in some histories, but an author writing about light ought to know the difference between a mirror and a lens.
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